Monday, August 26, 2013

interview with Priya Kurian

This is the success mantra popular illustrator Priya Kurian follows. This artist has brought smiles to numerous children through her illustrations, which form an integral part of the children books. Here, in conversation with Varsha Verma, she reveals how she became a children book illustrator and how she comes up with a perfect illustration every time.The beginning…
Priya Kurian
Priya Kurian
Priya Kurian is an established children artist, who is trained as an animation film maker at the National Institute of Design, Ahmedabad. “An important aspect of conceiving animation films consists of creating 'Concept Art' which involves illustrating various scenarios for the main characters of the film by using different visual techniques, mediums and treatments that really inspire one to think freely. Not all the scenarios created during this process are always included in the film. I enjoyed this stage of the film making process immensely and my interest in illustrating books was really an outcome of this. In my final year, I wrote to the people at Tulika Books on a whim and they were kind enough to give me the chance to work on a sweet story about an elephant called Bahadur who forgets how to sleep. The book is called I'm so Sleepy and is written by Radhika Chadha. The book turned out to be quite popular and I went on to illustrate a series of books with the same character. The series was called 'The Baby Bahadur' series,” tells Priya.

Later, Priya worked as an animator in a production house in Mumbai and then Seasame Street in Delhi. “Working at an animation studio didn't leave me with much time to pursue illustration very seriously, but by the time I decided to become a freelancer, which was after a year of working with Sesame Street Preschool, I had a small body of work that I compiled into a blog which I still maintain, and sent it to various publishers in Delhi. Since the first few books that I worked on were for a children's book publisher, I think most publishers assumed I illustrated only for kids books and the kind of work I received was mostly in the same area,” she recalls.

“Infact, I illustrated a few books for Puffin and Scholastic, and slowly over the years, more people in publishing got familiar with my work. So far, it's been really satisfying working on different kinds of projects with so many different people and I have realised how much I like working on children's books rather than illustrations for grownups,” she adds.

Hardest part of illustrating…

“…Getting started, I think. Because, that's the point where one needs to take the most amount of decisions and face the maximum number of choices in terms of what needs to be done with the characters and the treatment of the book. Sometimes, I find that these decisions can't be made in one sitting, but can take over a period of days and sometimes weeks,” replies Priya.

“Also another challenge is to put yourself back in the shoes of the child that you were. I think adults (including me) sometimes have a poor memory of what they were as children and what they felt like as a kid; what hurt you; what made you feel insecure. It is important to be able to tap into that,” adds Priya as a matter of fact.

Factors kept in mind while illustrating for children…

“I always try avoiding clichés, especially when it comes to creating characters. I like illustrations with enough details so that a kid can come back to it again and again, and perhaps spot something new each time he or she does so. I always like adding a touch of humour wherever possible in the details; something like a side joke which might really be part of the text. Also, one has to keep in mind that your audiences' experience of the world would cover the last 8 to 10 years as opposed to the last 20 and above. So, one should always keep up with what children find fascinating and be careful to use examples from popular culture and metaphors in your work that they understand,” she explains.

Real life influences…

“I love travelling and keep a record of places I visit. However small or big the city/village /town, one always comes back with quirky stories. Sometimes, the interesting characters I meet later find their way into my illustrations. So, I like to keep memories of those people and places in my notebook so as not to forget these,” she adds nonchalantly.

Advice to aspiring artists…

“Continuously keep at what one likes doing, work earnestly and honestly and don't compare yourself to another. Also, do some projects just for the love of it without thinking too much about what it would lead to. Compile your work online as well so that people can access it easily,” she advises.

Interview with Ashok K Banker

says Ashok K Banker, an Anglo-Indian from a Christian family, who has been instrumental in reviving the readers’ interest in Hindu mythology and Vedic literature. What drives this talented author to these legends...how he adds the zing to all these texts...finds out Varsha Verma.Ashok K Banker is an internationally acclaimed author of mixed-race based in Mumbai. His Epic India Library is a lifetime writing plan that aims to retell all the major myths, legends and history of the Indian sub-continent in an interlinked cycle of over 100 volumes. This includes The Ramayana series, Krishna Coriolis, The Mahabharata series, the contemporary Kali Rising thriller series and other works. His books have sold over 1.85 million copies in 13 languages and 58 countries worldwide. No wonder he is credited with the resurgence of mythology in Indian publishing.

On mythology as his muse...
Ashok K Banker
Ashok K Banker
“As a non-Hindu, I had no knowledge or experience of these stories or mythology. Though there were Amar Chitra Comics and TV serials, they could not amuse me. When I chanced upon the puranic texts as a young boy, I was amazed at the depth and detail and beauty of the original stories. It amazed me that those original tales were almost unknown to even Hindus today. For instance, I have met not even a handful of people in my lifetime who have read the original Valmiki Ramayana (even in translation) or the original Vyasa Mahabharata. Everyone believes they know these epics because they’ve watched Bollywood films or read comics or watched those TV serials, but that’s just a tip of the iceberg. The original epics are great works of world literature. Whether they were mythology or history or something else is for others to decide. To me, these were great stories that deserved to be known by the whole world. I waited almost thirty five years for someone to retell them or even just tell them in all their glorious detail but Indian English writers seemed to be only interested in writing about themselves, their love lives, their marriages...they still are, I guess. So I took the plunge, an Anglo-Indian from a Christian family, and did my best attempt to reclaim these great stories. If I succeeded in any small way, it’s not because I’m talented or a good writer, because I’m neither. It’s because these stories are great stories,” says the mythological writer Ashok.

Quoting an example of his eight-volume Ramayana series...

Everyone says they know the Ramayana. Few do. “When I began reading and gathering insights into the various Ramayana versions, I found that Muslims in Malaysia have their own version, so do people across Asia, even the rest of the world. There are probably more Sanskrit Ramayana scholars in Scandinavia than in Delhi! And more scholars and historians interested in Vedic culture in Russia and Middle Eastern Europe than in Benaras! But in India, people dismiss it as a simple tale of Good versus Evil. Or they use it as a whipping post to project their own insecurities and prejudices. The truth is, that was another age, another era. Were men chauvinistic then? Yes, of course they were. These stories were all written only by celibate men living alone in deep forests – they had no inkling of a woman’s mind or point of view. So definitely these tales are chauvinistic, brahmanically biased, North Indian. As someone of mixed race, mixed culture, with Sri Lankan British parentage, I was fascinated by how worked up people got even today when arguing the merits and demerits of what Rama or Sita or Ravana did or didn’t do in that distant past. Like, get real, people. They did what they did. They lived, they loved, they fought, they died. Deal with it. Move on with your lives! People take it so personally. Why? I think it’s guilt. Brahmanical Hindu guilt because they regard Rama as a God yet can’t accept the fact that he banished Sita. It’s a myth that Gods are perfect. Mythology tells us over and over again that even Gods were not perfect. Just because you consider someone a God, doesn’t mean he lived up to your expectations perfectly. My interest was in the core story, not in all this irrelevant claptrap. I just told the story, as someone with my mixed background and cultural upbringing would have, in my polyglot makapao Byculla Boy Anglo-desi style. The fact that someone actually saw fit to publish it, and well over a million readers (and counting) loved it so much, is amazing. It still remains my bestselling work, with the ebook editions now outselling the print editions ten to one, because new readers are discovering it every day,” tells Ashok proudly.

What more?

“I am more than halfway, almost two-thirds of the way through my retellings of the major myths, legends and itihasa of the Indian sub-continent. When complete they will all form the Epic India Library, a massive story cycle with interconnected volumes and series. I plan to finish this project in another two to three years and will then move on to writing more personal novels, mainly romances and serious contemporary fiction since those are my two personal interests,” he shares.

The newbie...

More recently, Ashok has released EPIC LOVE STORIES – of Shakuntala and Dushyanta- the love story that gave birth to a nation, Ganga and Shantanu - a love story written on water, Satyavati and Shantanu - a love story made possible by a son’s sacrifice, Amba And Bhishma - a love story that was never meant to be, Devayani, Sharmishtha And Yayati- a love triangle that changed a dynasty. On asking about the response so far, Ashok replied, “The response has been terrific. I believe in a direct line from reader to writer. Anyone can write to me anytime and I always reply. Almost 43,000 readers (out of about 2 million readers total) have written to me and I’ve answered immediately, even corresponding with several for decades. So I have this wonderful sample of readers who help me gauge if a book is being enjoyed or not. The Love Stories are a great concept, they feel. The lovely illustrations by Kunal Kundu and beautifully designed covers by Gunjan Ahlawat play a big role in that, I feel. It’s one of the few covers where I was invited to give input into the concept and I feel very happy with the results. In future titles in the series, I plan to include lesser known stories that readers are less familiar with and I think everyone of all ages can read and enjoy these books.”

What he wants to achieve by writing...

“I want to do justice to the story. The writer should disappear once the story begins: only his voice should remain. I alter my style, syntax, vocabulary, grammar, narrative devices, everything according to the story I’m telling. If you read my Krishna Coriolis, Ramayana Series, Mahabharata, Vertigo, Blood Red Sari, you’ll see they’re all in completely different narrative styles. The story decides how it should be told and the writer must serve the story. I’m irrelevant except to offer my voice, my mind, my very limited and poor skills, to work in the service of the story. I’m just the cobbler who works the leather, not the creator of the hide, nor the maker of the thread, nor the tools or implements...merely the cobbler,” says the humble Ashok.

Hardest part of writing...

“...the preparation, research, thinking, planning, ideating, gestating. It takes my anywhere from ten to thirty plus years to get ready to write a book. It involves a lifestyle change: If you don’t live, breathe, eat, sleep, drink writing everyday you’re only a businessman not a writer. Once it’s in your blood and you do it because you love, it’s like breathing. The actual act of writing is the easiest, most enjoyable part and barely takes any time. If it’s not, then you need to change your profession,” advises Ashok.

Advice to young author...

“Read, Read, Read. Write. In that proportion. Read at least a thousand books for every one you write. Don’t offer everything you write for publication. Be willing to throw away entire novels, even good ones, if you’re not totally happy with them. If you’re not writing better than other writers you read, you’re not ready to be published yet. Work at it. You never become a good author: your entire lifetime is a journey towards that goal. Even after 40 published books, I still feel like I’m learning how to do it all over again with each book. I still get a thrill out of it. I still love it madly. Forget the money, forget fame, forget the PR and the publicity game. It’s all about the writing and that only comes from the heart, the soul, the gut,” he advises.

Unwinding facts...

“Writing is my hobby. Being a husband, a father, a caregiver to my companion Willow, those are my real jobs. I unwind by writing, by reading...and by going to the gym which I really enjoy,” he says.

On a concluding note...

“Be well, read lots of good books (not just mine) and be kind to as many people as you can. Because good people make good readers and good writers,” concludes Ashok.